Of all the visual arts, photography is the most dependent on technology. It didn’t even exist until the mid-1800s, when the sciences of chemistry and optics made it possible to capture an image on a metal plate. Later, glass plates were invented, which led to sheet film, and then to roll film, and most recently to digital sensors.
At each successive stage of this evolution of technology, it has become quicker and more convenient for the average person to make a photograph. Also at each successive stage, while the absolute potential for technical quality has gone down (it is physically impossible for a 35mm transparency (slide) to contain as much visual information as a 120 (medium format) or 4×5 inch transparency, and the same applies to negative films, and digital capture can’t even come close to the resolving power or color gamut of medium and large format film), the average technical quality of the average photo made by the average camera user has gone up.
The technology has made it a lot easier and more convenient to make photographs. The average, every-day mom-or-dad-with-a-camera can now point, click, put a memory card in a printer, and have new material for the family scrapbooks, all within minutes.
With this heavy dependence on technology, especially in the digital age, a lot of discussion and debate arises over — you guessed it! — the technology. Which is better, film or digital? SLR or Rangefinder? Nikon or Canon? A lot of time and energy gets spent showing off and drooling over cameras, lenses, films, digital sensors, tripods, lighting systems, computers, printers and software packages.
What gets lost in all of that hullabaloo is that it’s not really the camera that makes the picture, it’s the photographer! Continue Reading »